A&H PlayDifferently Model 1.4 4ch Analog DJ Mixer

With MODEL1, PlayDifferently reached a whole new level when it comes to pure analog DJ mixers. Now they have released the same amazing Model1 performance but in a super compact 4-channel version. Perfect for the high-end home studio, or as the ultimate touring analog mixer... So you can take your analog core wherever you go. Engineered by Andy Rigby-Jones and co-designed by Richie Hawtin with feedback from artists, clubs and engineers, MODEL 1.4 features the same uncompromising build quality, precision and detail that put MODEL 1 in a class of its own. MODEL 1.4 can be used standalone or paired with a MODEL1 with unique mixer-link functionality to deliver an unparalleled 10-channel live mixing experience. 2 stereo send The two AUX controls send the channel signal to the Aux mix outputs for use with external effects processors or, in some applications, monitors. AUX 1 offers either PRE or POST FADE while AUX 2 is internally set to post fader. 2 stereo returns Two basic stereo channels for use as return inputs from external effects or other sources. Each return has TRIM to adjust the return signal, input DRIVE circuitry and CUE routing to both Cue A and Cue B. Each return also features metering for visual signal level feedback, a rotary LEVEL fader to adjust the Mix amount, and combined Return 1 -2 Low Cut EQ and Master Filter routing. 2 high performance phono preamps 2 high performance turntable inputs, optimized for the club environment to minimize the tonal imbalance between vinyl and digital audio and to eliminate sub-frequency feedback. Each phono input has its own ground terminal for greater flexibility. Studio grade faders Custom TKD 60mm faders. These dual rail faders have been carefully selected to ensure long life and smooth operation and have a heavy feel for greater precision. Precision Sculpting EQ SCULPT is a semi-parametric sweep clock filter and consists of two controls, FREQ which sets the center frequency and CUT/BOOST which adjusts the gain or an attenuation at that frequency. The level of cut/boost is asymmetrical; maximum gain is limited to +8dB, while the cut is extended to -20dB. Sculpt has a wide Q and a frequency range that covers almost seven octaves. Contouring low and high pass filters As the name suggests, these two controls allow you to 'sculpt' the frequency range of the audio signal. They consist of Low Q, High-Pass and Low-Pass filters designed not to add color to the sound when swept across their frequency range. Analog overdrive A unique feature on each input, the DRIVE control. This control allows the user to adjust the level at which the channel's preamp clips the input signal, creating harmonic distortion as a creative effect. DualCue Two independent Cue systems, A and B. Cue A leads to the right headphone jack and Cue B leads to the left headphone jack. The DualCue system makes it much easier for two DJs to perform on the mixer together in "Back2Back" settings, as each can select a separate channel to listen to without disturbing the other. This feature also helps DJs to hand over to each other in a smooth and natural way. Mixer Link A system that allows multiple mixers to be linked together, either for use with two or more artists, or as a way to expand the number of channels. When linked, the mixers share a common balanced mix that feeds the PA and Booth, and the two Cue systems are also linked, allowing interactive cueing between multiple artists. Balanced Mix Bus Fully balanced main mix bus (usually only found in very high-end analog studio consoles) - resulting in >110dB dynamic range, improved hum rejection, lower noise and crosstalk. Mastering High and Low Pass Resonance Filters The Master Filter consists of a High Pass Filter (HPF), a Low Pass Filter (LPF) and a Resonance Control (RES) to adjust the sharpness of the High Pass Filter. The master filter can be used as a sweeping frequency performance effect, or as a preset frequency mixing tool to instantly cut the low or high frequencies of any channel routed to the filter. Signals can be routed to the MF with the filter selector located on each channel. 3-band master EQ 3-band master EQ with asymmetrical cut and boost, -20/+6dB that can be used as part of the performance or a frequency correction tool. 2-band Booth EQ A 2-band equalizer that allows the user to adjust the frequency response of the Booth monitors to suit their own preferences. 100% analog Smooth intuitive controls matched with warm pure analog circuitry. ZERO Crossing Circuitry All internal routing uses their zero-crossing detection system which helps minimize audio switching artifacts for channel filter selection, master filter on/off and master eq on/off. This system allows each of these functions to be used quickly and intuitively as effects. Quality components Beautifully smooth components each controlling a specific function for intuitive creative performances. External power supply Powered by an external 90W 24V universal voltage PSU. Internally, 24 volts from the external supply is converted to just under +/- 20V for the analog power rails using high frequency switching technology, giving the MODEL 1 some of the highest signal headroom of any professional mixer, regardless of application. Locking PSU input The MODEL 1.4's external PSU connects with a locking connector for increased reliability and to avoid accidental disconnections. Built in the UK Built in the UK with our partners DigiCo and Allen & Heath with an alloy/steel chassis for maximum strength and minimum weight, optimized for touring, club and critical gigs. D-Sub out Fully balanced TASCAM DB25 output to send Master, Aux 1 & 2 Sends and Cue B channels down a single connector for fast connections to external sound cards and increased flexibility in club installations. Front mounted Rec Out RECORD OUT is mounted on the front panel on top of the Master section. 3.5mm TRS Jack socket feeds the post Master EQ signal as a prefader recording output. 2dB Nominal level.