• Secure card payments
  • Questions? Call +46 (0) 8 612 21 23!
0
Your cart
Black Lion Audio B12A Quad 4 Channel Mic Preamp
Black Lion Audio B12A Quad 4 Channel Mic Preamp
Black Lion Audio B12A Quad 4 Channel Mic Preamp - 2
Black Lion Audio B12A Quad 4 Channel Mic Preamp

Black Lion Audio B12A Quad 4 Channel Mic Preamp

17,170 SEK
Its design inspired by a legendary vintage American console mic preamp, the API 312A, the B12A Quad four channel microphone preamplifier packs a massive punch. With its transformer-coupled input and output stages and 70dB of gain on tap, the B12A Quad serves up heaping portions of low-noise headroom. Now you’ll finally be able to use your low-output ribbon mics on quiet sources! The B12A Quad imparts a bold sonic assertiveness that beefs up any signal you pass through it.
Read more...

Delivery: within 3-5 business days

  • Secure payment by card
  • E-mail us, we reply swiftly!

The item you want is out of stock? Contact us för availability.

  • BrandBlack Lion Audio

Description

Article no.: 20214

The B12A Quad is a 4-channel version of the legendary single-channel B12A Mk2. More than just another 312A clone, the B12A Quad combines vintage-inspired sonics and modern features in a rugged 1RU chassis with a smart feature set that will satisfy the most demanding audio engineers. A revised gain stage and lower noise floor deliver cleaner sound with lower distortion, while CineMag input and output transformers keep things warm, creamy, and beefy. Two front-panel DIs impart harmonic richness to guitars, basses, and synths, while stepped input gain and variable output attenuation give you exacting control over transformer saturation. Per-channel metering displays how hot your output signal is hitting the parallel TRS/XLR outputs, while an external power supply keeps noise out of your tracks. Features • 4-channel preamp with USA CineMag input and output transformers • Designed and assembled in the USA • Bandwidth (1kHz, 150Ω unbalanced source, unweighted): 10Hz–30kHz • 70dB of gain handles any type of microphone, including low-output ribbons • Per-channel gain and output controls, phantom power, polarity reverse, 18dB pad, hi-Z switch, and DI input
Back to top